Written by Paul Weitz

Directed by Trip Cullman

Lighting: Matt Frey, Costumes: Emily Rebholz, Projections: Aaron Rhyne, Sound: Bart Fasbender

"Instead of trying to disguise the play's episodic nature, the creatives punch it up. The strong horizontal line of Mark Wendland's set visually bisects the stage, assigning the bottom strip to staging areas and the top half to Matt Frey's ingenious lighting effects. Titles supplied by the playwright to indicate the scene topics -- in no-nonsense terms like "Mom" and "Caffeine" and "Train Wreck" -- appear in giant letters outlined by high-intensity LED lights that are stacked in full view behind a scrim. The lighting design is such fun to follow, the scenes get laughs before they even begin." -- Marilyn Stasio, Variety.